Elysium

Matt Damon, Jodie Foster, Sharlto Copley, Alice Braga

Directed by Neill Blomkamp

Rating: B

In the distant future of 2154, Earth has been so overpopulated that the wealthy have moved off the planet to Elysium, a space station that is reachable by shuttles in nineteen minutes.

It's no secret that even today, the income gap between the rich and the poor keeps increasing (Face the Facts USA) and that the world's population today is climbing up to 7.1 billion people (US census). "Elysium" takes a real-world concern and puts a theatrical spin to it. By 2154, there is no middle class. Blomkamp's Los Angeles is a run-down city where no decent homes are left standing. On Elysium, the wealthy can live forever by using medical machines that can cure cancer in less than five minutes.

"Elysium" follows Max's (Damon) story. As a kid, he learns about Elysium and promises himself and his friend he will get them there. Grown up, Max has a criminal record (auto-theft, resisting arrest) and works at a low-level job working with machinery. When a complication arises at work, Max gets a death sentence after being exposed to a high dosage of radiation. With only five days left to live, his only hope to survive is by getting to Elysium.

Desperate, Max will do anything to keep living and that includes a dangerous job extracting important information from a billionaire's mind. This billionaire is the CEO of the company he worked for and also has the reboot information for Elysium in his head. This information was written for Delacourt (Foster), a government official with a better idea of how Elysium should be run under a new president who will give her more power.

I liked how "Elysium" had a realistic view on the future. While I'm not too sure how realistic technology will get by the year 2154 (machines that can cure cancer?), "Elysium" is a good sci-fi thriller. It's as gory as "District 9" and the camera does not shy away from exploding people. It's violent and is rated "R" for good reason, but fans of action, post-apocalyptic worlds, and Matt Damon will not be disappointed.

Drive

Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks

Directed by Nicholas Winding Refn

Rating: B

Part-time Hollywood stuntman, part-time getaway driver, Ryan Gosling plays a mysterious character who's only referred to as "Driver". Though a man of few words, Gosling's character has an underlying sense of power to him.

Gosling's quiet character keeps to himself and manages to stay out of trouble until he meets the next door neighbor, Irene (Mulligan). Her car won't start and he drives her home from the garage he works at, but after a pit stop driving down to a small stream where her son can play. Irene's husband, Standard, gets released from jail and at first he is suspicious of the neighbor's intention.

Standard has some debts to pay that he can't afford and being the good guy he is, Gosling's character lends his getaway driving skills. When a robbery goes wrong, Gosling's character is left realizing he's been setup. He shows no mercy when it comes to protecting Irene and her son and goes the distance to make sure they stay out of any danger.

The first scene of "Drive" sets the pace of the movie; slow but with flashes of action. The film has an eerie sense of real life to it. It's not rushed like most action movies are today, so viewers feel time passing as slow as their own life. "Drive" is based on the novel by James Sallis, which I haven't read so I don't know if the book moves just as slow. The plot, meanwhile, was intriguing and what is worth watching for. Ryan Gosling's character is flat and viewers don't get to know much about him. He barely speaks and doesn't show much emotion, but his motivations are clear. He will protect the ones he grows attached to.

The trailer gives the whole movie away and is misleading. It leads viewers to believe it's fast paced and has lots of action when it's just the opposite. It doesn't mean that it's a bad film because it's worth watching once. It might be more of an acquired taste to fully enjoy it, like Refn's previous films; the style is somewhat similar to "Bronson", slow electro-music completes the soundtrack and a character that may be hard to like. Have caffeine at hand before sitting down to watch "Drive" and it may not be so hard to sit through.

Twelve Monkeys

Bruce Willis, Madeleine Stowe, Brad Pitt

Directed by Terry Gilliam

Rating: B

Time traveling, an army of 12 Monkeys, and a virus set to kill five billion people makes for a promising movie. Oh yeah, and Bruce Willis plays the lead character in this mind-twisting sci-fi thriller.

Time traveling movies may be predictable but in this one, director Terry Gilliam has viewers guessing all the way up to the last twenty minutes. It may become a bit confusing when James Cole (Willis) is sent back and forth in time to feed information to future scientists about a rebel group called the 12 Monkeys. At first Cole is sent six years earlier than his set date of 1996 and finds himself in a mental institution for beating up police officers in a post-time jump haze. Add some mumbling and an insane Brad Pitt come the next scene, viewers may be questioning why they are still watching it.

It's not until a few time jumps later and a psychiatrist once held hostage by Cole that he starts to get help trying to prevent the destruction of mankind. It's up to the two to find the 12  Monkey's and grab a sample of the virus to prevent the oncoming apocalypse.

Similar to this movie is 2012's "Looper" where events come full circle, which seems to be the pattern in time traveling movies. In both movies, Bruce Willis comes back in time to change future events and what drives him to try doing so is to get his life back. In "Twelve Monkeys" Cole is a prisoner volunteering to reduce his sentence by going on a mission to find the 12 Monkeys. It shows a serious acting skill to see Willis in a role as a man who is sane but appears to be insane. Brad Pitt is equally frightening as a mentally unstable person in this movie, who gets worked up as he goes into a spiel about life.

While it may seem slow in the beginning and a little confusing, "Twelve Monkeys" is worth sticking out to the end. Chances are if you liked "Looper", "One Flew Over the Cuckoos Nest", or "Children of Men", then "Twelve Monkeys" is the sci-fi thriller for you.

The Grey

Liam Neeson

Directed by Joe Carnahan

Rating: B-

Ottway (Neeson) is a wolf hunter up in Alaska. On his way home, his plane goes down and only eight survive the crash. Ottway in the others make camp in the freezing cold of Alaska, trying to keep it together. Surviving the crash is one thing, but surviving the wolves that keep hunting them down is a complicated task when they have nothing to do protect themselves with.

"The Grey" is a simple movie to describe. At the heart of it, it's a survival movie and pretty predictable. Liam Neeson is the leader of the group (why wouldn't he be when he is a wolf hunter and knows how they prey?). Liam's character and the group decide staying by the plane might be a poor decision since the wolves keep coming back so they trek to the woods in hopes of finding shelter.

This film is a pretty intense movie and by the end of it, you don't know how to feel about it. The ending is what you gets you. "The Grey" could have easily moved from a "B-" to a "B" or "B+" if the director had expanded the last scene instead of cutting it short. Or perhaps made an alternate ending. While it's been a while since a fight for survival has been in theaters (unlike "Haywire" but more fighting against nature) it's a nice change from the action movies.

"The Grey" was more of a movie you would watch at home and definitely better to rent than buy (unless you're a sucker for Liam Neeson films and survival genres). Personally, I thought it was a good movie. Maybe not the best one made but it was different and Liam Neeson wasn't too disappointing.